By Traditional. Arranged by David Uber. For 4 tenor trombones. Trombone Quartet. Patriotic, Americana. Level: Grade 2 . Published by Kendor Music Inc.

Trombone

SKU: SP.TS079

Composed by Jonathon Robbins. Collection; Patriotic. Book and CD. Santorella Publications #TS079. Published by Santorella Publications (SP.TS079).

ISBN 9781585603381. UPC: 649571100797.

Patri otic Melodies arranged for brass and reed instruments by Jonathon Robbins and edited by Tony Santorella is the very first and most complete collection of patriotic songs in print. Celebrate our nation's birth and freedom with the most powerful assortment of prideful songs of triumph ever assembled. This phenomenal series published by Santorella Publications includes a piano and percussion accompaniment CD. Patriotic Melodies for Trombone is ideal for any national celebration and fills a major void in the Print Music Industry. This American Songbook is available in accommodating keys for trumpet, flute, clarinet, french horn, alto or tenor sax. America the Beautiful - Hail to the Chief - When Johnny Comes Marching Home - You're a Grand Old Flag - Marine's Hymn - Dixie - Battle Hymn of the Republic - Pomp and Circumstance - Yankee Doodle - America (My Country 'Tis of Thee) - Anchors Aweigh - Washington Post March - Over There - Yankee Doodle Boy - The Star Spangled Banner - Semper Fidelis - The Caissons Go Rolling Along - The Thunderer - The Stars and Stripes Forever - Taps - Let There Be Peace on Earth - Columbia, the Gem of the Ocean.

Composed by John Stafford Smith and Samuel A. Ward. Arranged by Jonathon Robbins. For trombone solo and piano accompaniment. Solo with Accompaniment. Patriotic. Score and solo part. Text Language: English. 8 pages. Published by Santorella Publications

Trombone & Piano - Moderately Advanced

SKU: CY.CC2356

Composed by Charles Ives. Arranged by Ralph Sauer. American 20th Century. Solo part and Piano. Published by Cherry Classics (CY.CC2356).

Charles Ives was one of the first American composers to gain international recognition, although most of his music was unperformed during his lifetime.

Ives wrote 114 songs including these four:
1. Memories, 2. The Side Show, 3. Dreams and 4. War Song No. 2.

The songs include quotes of American folk songs, with whistling, singing and more making for a lively experience for performers and listeners.

Mr. Sauer once again has edited a brilliant new transcription, bringing Ive's music to life for the Trombone world. For moderately advanced performers, all in bass clef.

By Charles Ives (1874-1954). Arranged by Ralph Sauer. For Euphonium and Piano. American 20th Century. Moderately advanced. Solo part and piano accompaniment. Published by Cherry Classics

Star Spangled Banner and America the Beautiful for Alto Sax and Piano composed by John Stafford Smith and Samuel A. Ward. Arranged by Jonathon Robbins. For alto sax solo and piano accompaniment. Solo with Accompaniment. Patriotic. Score and solo part. Text Language: English. 8 pages. Published by Santorella Publications

French Horn

SKU: SP.TS277

Composed by Jonathon Robbins. Collection; Patriotic. Book and CD. Santorella Publications #TS277. Published by Santorella Publications (SP.TS277).

ISBN 9781585604722. UPC: 649571102777.

Patri otic Melodies arranged for brass and reed instruments by Jonathon Robbins and edited by Tony Santorella is the very first and most complete collection of patriotic songs in print. Celebrate our nation's birth and freedom with the most powerful assortment of prideful and triumphant songs ever assembled. This phenomenal series from Santorella Publications includes a piano and percussion accompaniment CD. Patriotic Melodies for French Horn is ideal for any national celebration and fills a major void in the Print Music Industry. This American Songbook is available in accommodating keys for trumpet, flute, trombone, clarinet, alto or tenor sax. America the Beautiful - Hail to the Chief - When Johnny Comes Marching Home - You're a Grand Old Flag - Marine's Hymn - Dixie - Battle Hymn of the Republic - Pomp and Circumstance - Yankee Doodle - America (My Country 'Tis of Thee) - Anchors Aweigh - Washington Post March - Over There - Yankee Doodle Boy - The Star Spangled Banner - Semper Fidelis - The Caissons Go Rolling Along - The Thunderer - The Stars and Stripes Forever - Taps - Let There Be Peace on Earth - Columbia, the Gem of the Ocean.

Orchestra Bassoon 1, Bassoon 2, Bassoon 3, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass, Flute 1, Flute 2, Flute 3, Harp, Horn 1, Horn 3, Horn 4, Oboe 1, Oboe 2, Oboe 3, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Piano, Timpani, Trombone 1 and more.

SKU: PR.466000470

Composed by Dan Welcher. Spiral. Large Score. With Standard notation. Duration 10 minutes. Theodore Presser Company #466-00047. Published by Theodore Presser Company (PR.466000470).

UPC: 680160099405. 11 x 17 inches.

This is the second incarnation of a work I first composed in 1994 for symphonic wind ensemble. The earlier version was intended to be the summation of three-part suite, each part being named for a different national park in the Western United States. This orchestral version, commissioned in 1999 by the Utah Symphony and dedicated to the memory of Aaron Copland, is more than a re-scoring of the earlier piece; it is a re-thinking of all its elements. Zion is a place with unrivaled natural grandeur, being a sort of huge box canyon in which the traveler is constantly overwhelmed by towering rock walls on every side of him -- but it is also a place with a human history, having been inhabited by several tribes of native Americans before the arrival of the Mormon settlers in the mid-19th century. By the time the Mormons reached Utah, they had been driven all the way from New York State through Ohio and, with tragic losses, through Missouri. They saw Utah in general as a place nobody wanted, but they were nonetheless determined to keep it to themselves. Although Zion Canyon was never a Mormon Stronghold, the people who reached it and claimed it (and gave it its present name) had been through extreme trials. It is the religious fervor of these persecuted people that I was able to draw upon in creating Zion as a piece of music. There are two quoted hymns in the work: Zion's Walls (which Aaron Copland adapted to his own purposes in both his Old American Songs and the opera The Tender Land) and Zion's Security, which I found in the same volume in which Copland found Zion's Walls -- that inexhaustible storehouse of 19th-century hymnody called The Sacred Harp. My work opens with a three-verse setting of Zion's Security, a stern tune in F-sharp minor which is full of resolve. (The words of this hymn are resolute and strong, rallying the faithful to be firm, and describing the city of our God they hope to establish). This melody alternates with a fanfare tune, whose origins will be revealed in later music, until the second half of the piece begins: a driving rhythmic ostinato based on a 3/4-4/4 alternating meter scheme. This pauses at its height to restate Zion's Security one more time, in a rather obscure setting surrounded by freely shifting patterns in the flutes, clarinets, and percussion -- until the sun warms the ground sufficiently for the second hymn to appear. Zion's Walls is set in 7/8, unlike Copland's 9/8-6/8 meters (the original is quite strange, and doesn't really fit any constant meter), and is introduced by a warm horn solo. The two hymns vie for attention from here to the end of the piece, with the glowingly optimistic Zion's Walls finally achieving prominence. The work ends with a sense of triumph.